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• Commission a painting by Laura H Elliott from the ‘Landscape Moods Collection’

Commissions Are Always Welcomed

I am always delighted to create commissions, as I see each piece as a collaboration, which creates a personalised and truly unique final painting.

How do I place a commission order?

I am represented by a highly experienced gallery, called Degree Art, London, UK

My gallery link is below: https://degreeart.com/artists/laura-h-elliott

Their team can coordinate with you and we can begin the commission process:

Please contact Isobel Beauchamp (Director of Degree Art) on Isobel@DegreeArt.com or call one of their Art Advisors on 020 8980 0395.

Tell her my name, Laura H Elliott and the artwork that inspires you. The Degree Art team can then explore ideas such as: size, any of my art you love, colour scheme of your home or project and then the commission process starts.

What can I expect?

All my artworks are available for commission with Degree Art Gallery, who represent my work as a professional artist and have extensive experience.

I have been selling my work since 2006 and every artwork is of the highest standard. I have never had a return and every artwork is painted on a high quality canvases by either Loxley or Winsor Newton.

Every artwork is hand signed with my initials LHE, as below:

Inspiration from the collection, so far:

Shown below is a slide show for inspiration from my portfolio of paintings in the ‘Landscape Moods Collection’:

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Are there different paint effects?

Yes, every painting contains a unique combination of effects, with each effect adding a dimension to the final painting. Should you like any effects, they can be added to your commission:

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Feedback From Commission:

Type: Painting Commission

Location: New York, USA

“I recently purchased a beautiful piece of art from Laura Elliott. Not only was the piece exactly what I wanted, but Laura handled the whole transaction very flawlessly. I was looking around for something colourful and luckily stumbled upon this website. I saw something I loved but when inquired about purchasing it, Laura told me it was already sold. That certainly didn’t stop the search and Laura quickly responded saying she could paint one like that if I was interested and I could even choose the colours.

The next few interactions with Laura involved choosing colours and getting a proof of the painting before I had to commit. Paying was very simple through Pay Pal and we managed to come to a financial arrangement that fitted my budget. The painting was couriered as soon as my payment had gone through and it arrived within a few days. The whole transaction was dealt with very professionally and was very simple. Laura is an enthusiastic and energetic artist who has a passion for what she does. I could feel this through the friendly and personal e-mails we exchanged while she was painting my special piece.

Thank you Laura.”


See more about my work at:

I am represented by a highly experienced gallery, called Degree Art, London, UK

My artwork gallery link is below:

https://degreeart.com/artists/laura-elliott

To read more customer feedback:

https://laurahelliott.wordpress.com/customer-feedback/

Contacting Laura H Elliott BA (Hons)


Fill Out the Contact Form Below to Inquire About Any Of the Pieces Above:



All artworks & designs displayed are © Copyright by Laura H Elliott BA (Hons), Dip.

Buy my work online @ http://www.lhe-art.co.uk

Facebook https://www.facebook.com/laurahelliottart

Twitter @laurahelliott

Pintrest https://www.pinterest.com/lauraelliottart/

Linked In https://uk.linkedin.com/pub/laura-elliott-ba-hons/6b/959/533

#art #britishlandscapes #britain #landscapes #buybritish #laurahelliottart #laurahelliott #lhe #painting #metalclay #gemstones #artgallery #gallery #flux #fluxexhibition #degreeart #degreeartgallery #painting #artlover #artist #artwork #artcollector #contemporaryart #originalart #ownart #rca #contemporaryart #originalart #commissionart #buyart #buyartonline

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• Commission Your Own ‘Landscape Gems Collection’ Design

Commission a ‘Landscape Gems Collection’ design of your own with Laura H Elliott BA (Hons)


What Does A Commission Offer and How Are They Presented?

Every ‘Landscape Gems’ design created by Laura H Elliott is like a presentation and not just a design.

I have been selling my work since 2006 and every design is of the highest standard. All my designs are available in Fine 999 Silver Metal Clay for commission with Degree Art Gallery, who represent my work as a professional artist and have extensive experience.

All of my silver designs are legally hallmarked by the Goldsmiths Assay Office, London.

  • Taylor made, hand-crafted from Fine 999 Silver Metal Clay
  • Every design features 100% genuine gemstones ethically and personally sourced by Laura H Elliott BA (Hons)
  • Other features in the designs include 925 Sterling Silver and Vintage Watch Parts

  • Every design is presented in a complimentary, beautiful velvet gift box, which is the perfect way to present each piece.

  • A complimentary 18 inch chain

  • An anti-tarnish strip to keep your work perfect

  • All silver pieces made from or with fine 999 silver and/or 925 sterling silver are legally hallmarked by the Goldsmiths assay office, London

  • Every silver design comes with a beautiful hallmarking card from the Goldsmiths Assay Office London
  • There is a card certificate for every piece detailing each designs mediums (materials in the design) and the gemstones featured

How Do I order a Commission: A Step-by-Step Guide:

1) Select Your Designs:

Look through a selection of designs and note down the name displayed at the bottom of the image:

2) Select Your Gemstone(s) of Choice:

The key feature in every design is, of course, the genuine gemstone(s). There are hundreds of types of gemstones, which come in every colour in the rainbow. However, the typical choices are often focussed on three key points:

  • Colour preferences
  • Birthstone or Zodiac gemstones
  • Gemstones that are collected by each person, such as the top 4 precious gemstones: Sapphire, Ruby, Diamonds, Emeralds

If you have a gemstone you would perfer or would like to gift in your commission, please do not hesitate to ask. This can include sought after gemstones that could be sourced/ selected from stock include:

  • Tanzanite,
  • Paraiba or Cuprian Tourmaline,
  • Spessartite Garnet

The gemstones below are a selection you can chose from:

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3) Contact My Representative Gallery Degree Art, London, UK:

I am represented by a highly experienced gallery, called Degree Art, London, UK.

All my designs are available in Fine 999 Silver/ 925 Sterling Silver for commission with Degree Art Gallery, who represent my work as a professional artist and have extensive experience.

I have been selling my work since 2006 and every design is of the highest standard. All of my silver designs are legally hallmarked by the Goldsmiths Assay Office London.

My gallery link is below:

https://degreeart.com/artists/laura-h-elliott

Their team can coordinate with you and we can begin the commission process:

Please contact Isobel Beauchamp (Director of Degree Art) on Isobel@DegreeArt.com or call one of their Art Advisors on 020 8980 0395.

Tell her my name, Laura H Elliott and the artwork that inspires you. The Degree Art team can then explore ideas such as:

Tell them which designs in my ‘Landscape Gems Collection’ you love,
Preferred colour of the gemstones featured…

….and then the commission process starts.


Please Note:

All of my silver designs are legally hallmarked by the Goldsmiths Assay Office London. This process takes between 7-14 days.

These gemstones have been personally and ethically sourced from around the world by Laura H Elliott over the years.

Carat weights stated are ‘average total gemstone weights’ (ATGW).


Commission Feedback:


“Having seen Laura’s work at an exhibition in London, I commissioned Laura to create 2 pendant pieces of jewellery to include birthstones. She was very happy to help and very professional, producing 2 stunning original pieces. They were packaged well and arrived safely. I would highly recommend Laura’s bespoke metal clay jewellery to anyone looking for a special piece of original artwork”

______________________

Dated: 21st April 2017

Lesley Oldaker was a direct commission client Landscape Gems Collection jewellery of metal clay designer Laura Elliott BA (Hons).


Customer Feedback and Recomendations:

I have over 10 years working as both an artist and curator and have references, which can be viewed by clicking here.


About the ‘Landscape Gems Collection’:

“My love of clay was discovered at the age of 14, exploring the endless possibilities of earthenware clay, enhanced with glazes, textures and glass.

It was in 2012 when I discovered the fresh, up and coming medium of metal clay in: Fine 999 Silver, Copper and bronze. Step by step I began to explore the possibilities of this medium and after 2 years of development it transformed into the body of work I now call the ‘Landscape Gems Collection’.

When fired, an elegant transformation takes place, turning each design from the pliable clay into solid metal designs. Each piece is sculptural and unique, which often include an unusual mix of high quality gemstones along side beautiful elements, such as glass, enamel, vintage watch parts or even bolts and screws.

This series was given new momentum when I exhibited my collection at The Royal College of Art with Flux exhibition in December 2015. Since this date, my designs have adapted into a series of ever changing mini sculptures and I have not looked back since.”


Fill Out the Contact Form Below to Inquire About Any Of the Pieces Above:



All artworks & designs displayed are © Copyright by Laura H Elliott BA (Hons), Dip

Buy my work online @ http://www.lhe-art.co.uk

Facebook: https://www.facebook.com/laurahelliottart

Twitter @laurahelliott

Pintrest https://www.pinterest.com/lauraelliottart/

Linked In https://uk.linkedin.com/pub/laura-elliott-ba-hons/6b/959/533

#art #britishlandscapes #britain #landscapes #buybritish #laurahelliottart #laurahelliott #lhe #painting #metalclay #gemstones #artgallery #gallery #flux #fluxexhibition #degreeart #degreeartgallery #painting #artlover #artist #artwork #artcollector #contemporaryart #originalart #ownart #rca #contemporaryart #originalart #commissionart #buyart #buyartonline

• My Guide: Metal Clay Supportive Medium Ideas

My Guide: Metal Clay Supportive Medium Ideas

Supportive medium is a very useful tool for metal clay which is a hollow form or requires supporting during firing.

Option 1) Wood Clay (Pre-mixed)

http://www.artclayworld.com/product-p/f-055.htm

“Wood Clay is a replacement for the previously used Cork Clay. As a comparison, the Wood Clay particle is much smaller and smoother feeling than Cork Clay. You can use Wood Clay as a framework for hollow forms. Dry thoroughly. Wood Clay burns away during firing.

Complete drying : Approx. 3 days in a room

Key Guidelines:

1) When used with Art Clay Wood Clay must be kiln fired!

2) It makes smoke during firing. Always work in a well ventilated area.

3) As a core for Art Clay hollow piece made with Syringe or Clay layer, either of following 3 options (A,B,C) can be chosen.

Firing instructions:

A) Fire them from room temperature kiln, and 800 Deg.C for 5 mins.

B) Fire them in 800 Dec.C kiln for 5 mins

C) Set kiln at 900 Dec.C, open the kiln door to put work inside of the kiln. Set kiln temperature 800 Deg.C for holding 5 mins.

Option 2) Art Mache (Need to Mix With Water):

https://m.rapidonline.com/artstraws-art-mache-mix-with-water-06-4177  

About: “Artstraws Art Mache is instant paper mache – just mix with water to produce a highly versatile modelling medium. Use to cover shapes made from screwed-up newspaper, cardboard boxes or balloons, for a smooth, even surface.”

Option 3) Prometheus® WoodClay Powder

https://www.prometheushobby.com/Metal-Clay/Metal-Clay-Tools/Prometheus-WoodClay-Powder-100gr-p58c108c67.html

About: “The Prometheus® WoodClay Powder is a special formula which burns clean and leaves very little residue. Mix desired quantity of powder with water in a small dish, using a tea-spoon. Once you reach the clay consistency, form your shape, leave it to dry for 24 hours than cover with any metal clay and fire it (do not forget to leave a small hole uncovered with metal clay to allow the WoodClay to burn out before firing)”

Option 4) Wet Toilet Tissue or Newspaper

Though not tested, you could soak wet either toilet roll or newspaper, create a shape and leave to dry. The tissue paper could offer a smoother surface to its texture, so could avoid add unwanted texture.

All comments or products should be used with caution, in a safe and well ventilated area and experts should be consulted for health and safety guidance. Please consult manufacturers for safety guidance about any products used. Please see the links above.


All artworks & designs displayed are © Copyright artist Laura H Elliott BA (Hons)

Laura Elliott represented by Degree Art Gallery: http://www.degreeart.com/artists/laura-elliott

‘Laura Elliott BA Hons – Artist & Metal Clay Designer’ Facebook: https://www.facebook.com/laurahelliottart

The Palette Pages Artist Interview Laura Elliott: http://www.thepalettepages.com/2016/03/28/lauraelliott/

Laura Elliott Art Website & Blog: https://laurahelliott.wordpress.com/

View my Professional Profile at Linked In: http://www.linkedin.com/pub/laura-elliott/6b/959/533

#art #britishlandscapes #britain #landscapes #buybritish #laurahelliott #lhe #painting #metalclay #gemstones #artgallery #gallery #flux #fluxexhibition #degreeart #mardleyburygallery #painting #artlover #artist #artwork #artcollector #contemporaryart #originalart #ownart #rca #contemporaryart #originalart

• My Guide: Saving Your Paint Brushes

My Guide: Saving Your Paint Brushes ~ Acrylic Paint

I know our brushes will not last forever, but they are our tools of the trade and they last longer when cared for correctly. I have learned the hard way and now have 20+ year old brushes I use today, as I changed the way I handled, cleaned and stored them. I think, the better you care of them, the more money you save as brushes are expensive investments.

BEFORE CLEANING:

Here is the way I clean and care for my brushes:

  1. Leave used brushes in water to make cleaning acrylic paint easier.
  2. Wash each brush separately as holding all your brushes in one hand means they damage each other.
  3. When you wash each brush, run the cold water over the bristles and use your fingers to separate the brush fibers to rinse the paint out until the water runs clear.
  4. While rinsing the brushes use a moisturizing or brush cleaning soap by stroking them across the soap. Hold the bristles and gently move the handle to create suds to create a foam. Doing this, will gently push the soap up into ferrule, deep in the bristles, to clean away any paint that is there.
  5. Rinse the bristles thoroughly.
  6. When the brushes are still wet, gently use your fingers to put the bristles into their original shape. If they are flat edged then pinch the flat edges between your fingers to re-create the chiselled edge.
  7. There are two ways to dry brushes : standing them handle down in a brush ‘rack’ or lying them flat on top of kitchen roll or a towel.
  8. Once completely dry storing the brushes in plastic brush tubes protects them from any damage or being transported.

AFTER PHOTOGRAPHS:

My Natural Bristle Brushes After Deep Cleaning

My Natural Bristle Brushes After Deep Cleaning – Although they are not new looking they are 80% clean as they are old and used every time I paint.

Goats paintbrush re-shaped after cleaning

Laura H Elliott BA (Hons) Art

Paintbrush re-shaped after cleaning

My essential brush

Paintbrush re-shaped after cleaning

My top tips on caring for your brushes:

  1. The key to cleaning your brushes is not to use warm or hot water. The heat hardens the paint and makes the task more difficult.
  2. Don’t leave your brushes so that the paint drys as it makes cleaning harder and it is best to only have the water covering the bristles.
  3. I find if the brush handles are in the water the wood, handles absorb the water and this starts to crack and peel or crack the varnish which then breaks off.
  4. Some alcohol based brush cleaners dry the bristles as well as cleaning them. They can be useful for dried on paints but use them with care.
  5. Don’t rub brushes on or at the bottom of your jar or water palette as this will damage the brush. See below:

wp-1465323270587.jpg6) Blot them with kitchen roll or a towel.

7) Dry your brushes naturally in the air. Heating them on something like a radiator is not good as the bristles and the varnish on the handles can get brittle.

8) If there is paint stuck in the bristles, use a very fine tooth comb/brush, as shown below

Steel Comb For Combing Out Dry Paint

9) If there is dried on paint, there is many products on the market you can try.

What brush cleaners do you use?

I mainly use the ‘Colourful Arts Brush Cleaner and Preserver’ brush cleaner which does not dry the brushes out and is not abrasive. Shown below:

Brush Cleaner

The brush cleaner I use for stubborn paint, which I feel is a efficient cleaner with a slightly mild exfoliation type of product called ‘The Masters Brush Cleaner and Preserver’. I feel it is okay to use, but my brushes are getting dry. I will keep this to combat dry paint on brushes due to its abrasive qualities, but I need something that cleans and moisturises, a bit like a facial cleanser.

Brush Cleaner

The following Winsor Newton Brush Cleaner works well for me. It removes the hard, stuck on paint from one of my most used brushes which is a 3 inch hog hair brush. It isn’t expensive, but creates the effect I want when I paint and I have been unable to find a replacement. The following Winsor Newton Brush Cleaner works well for me:

Laura H Elliott BA (Hons) Art

This is the Winsor & Newton Paint Brush Restorer Official Product Information:

“For dried acrylic, oil, and alkyd colour, this is a non-toxic, biodegradable, non-flammable, non-abrasive, low vapor product that safely and easily cleans both natural and synthetic brushes without damage to the brush head. It is not recommended for use on painted or varnished surfaces; contact with brush handles should be avoided. Not for use with polycarbonate or other plastic surfaces.”


All artworks & designs displayed are © Copyright by artist Laura H Elliott BA (Hons), Dip.

View my professional gallery of works at:

Quick Link: http://www.lhe-art.co.uk

Facebook https://www.facebook.com/laurahelliottart

Twitter @laurahelliott

Pintrest https://www.pinterest.com/lauraelliottart/

Linked In https://uk.linkedin.com/pub/laura-elliott-ba-hons/6b/959/533

• My Guide: Kiln Gloves = Safety First!!

My Guide: Kiln Gloves = Safety First!!

I always say safety first!! When you use any kiln or to handle hot mediums, such as fired metal clay or glass, make sure you have a really high quality pair of gloves and eye wear.

Please note: I am not a safety advisor, just someone who is giving you some of my experiences with the kiln gloves I have used.

Always seek professional advice and speak to the manufacturer of any products you buy to check for suitability.

A useful and informative health and safety PDF article is at the link below:

http://www.bexley.gov.uk/CHttpHandler.ashx%3Fid%3D5921%26p%3D0&sa=U&ved=0ahUKEwjA6PH2i6TSAhXIKMAKHR7UCIkQFggLMAA&usg=AFQjCNHrO4C7Bjg79QIH7Yg9amEZo57LAw

I purchased my first kiln and a pair of kiln gloves (at the same time) from a supplier of ‘generic’ or unbranded products, but foolishly didn’t check if they where suitable for the temperature the kiln reached.

My top tips are:

  1. Check the gloves are 100% heat proof to the temperatures you will be handling:

My first pair of gloves became burnt on the surface and the heat traveled through and burnt my hands. The gloves are shown below with areas of the gloves are grey and other areas are blue. I found that the best sections that are heatproof, where the blue areas. The pictures show how my gloves accidentally touched a kiln shelf and how this high temperature burnt my gloves and, ultimately, my hands underneath!! Ouch!!

Very dangerous!!

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2. Check they are the right fit!

The other thing to seriously consider is the size of your hands. Buying the correctly sized gloves means you will be able to handle the kiln fired pieces safely.

A good fit is a safe pair of gloves!!

The 2nd pair I bought are far safer:

  • They fit my small hands
  • The heatproof blue material covers 100% of the gloves surface
  • They cover my wrists and part of my forearm

These gloves are from a company called Raynor, as shown below:

3. My last tips are a list of great products you can purchase to protect you:

Kiln Spatula

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Safety Goggles


All artworks & designs displayed are © Copyright by Laura H Elliott BA (Hons), Dip.

Buy my work online @ http://www.lhe-art.co.uk

Facebook https://www.facebook.com/laurahelliottart

Twitter @laurahelliott

Pintrest https://www.pinterest.com/lauraelliottart/

Linked In https://uk.linkedin.com/pub/laura-elliott-ba-hons/6b/959/533

#art #britishlandscapes #britain #landscapes #buybritish #laurahelliottart #laurahelliott #lhe #painting #metalclay #gemstones #artgallery #gallery #flux #fluxexhibition #degreeart #degreeartgallery #painting #artlover #artist #artwork #artcollector #contemporaryart #originalart #ownart #rca #contemporaryart #originalart #commissionart #buyart #buyartonline

• Artist Interview: Degree Art Gallery Interview With Laura H Elliott BA (Hons)

Degree Art Gallery Artist Interview with Laura H Elliott BA (Hons)

Date: 14th March 2017

Read my full Degree Art Gallery artist interview at: https://degreeart.com/blog/laura-h-elliott-energetic-art-featuring-emotional-content

1) Which art movement do you consider most influential on your practice?

The key influence in my work is from abstract expressionism, drawing inspiration from their energetic art featuring emotional content, spontaneous gestures, and often in monumental sizes. The way each artist practiced, channeled their emotions into each artwork has given me the conviction and has driven my work forward:

  • Willem de Kooning
  • Clyfford Still
  • Helen Frankenthaler
  • Mark Rothko

The quote below epitomizes why this movement drives my work, inspiring me to constantly channel my life and emotions into each artwork:

“I’m not interested in ‘abstracting’ or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it – drama, anger, pain, love, a figure, a horse, and my ideas about space. Through your eyes it again becomes an emotion or idea.” (Quote by Willem de Kooning)

2) Where do you go and when to make your best art?

My love of the outdoors, especially during the summer, always spurs my creativity. I now have a wonderful, compact or small, home studio where I can create and explore my art freely.

3) How do you describe your ‘creative process’?

My creative process is different in the two mediums I specialise in, which are: mixed media painting and metal clay. Due to my disability, my mediums require assistance during the creative processes, but this adds love into every piece I create. Once I pick-up my brush or my piece of clay, all my worries are put aside. Art is truly my therapy.

Painting:

This medium is truly an unplanned process. The only aspect that I plan is my colour scheme, I layout my paints and other mediums, to create in a sub-conscious manner, using colour and mood to drive my work. Each painting is created in layers, building up colour and tones step-by-step, until I feel I have achieved the background. Then I add details and my signature.
It was 2016 when my paintings moved back into a free-flowing, abstract expressionist style featuring a bright colour palette. This highly enjoyable, free, relaxed painting style reflecting how my life has settled and how my emotions ebb and flow at this point in my life.

Metal Clay Designs:

This medium is the complete opposite, due to the nature of clay and the amount of tools required. I plan the basics of my designs in rough sketches and use these ideas as a starting point for each design. It is once I have started to create each piece that I refine the overall design and I can then create instinctively, as I do when I paint. Each design is a strict step-by-step process as below with a minimum of 12 steps for even the smallest metal clay design:

  1. Prepare the clay ready to work with
  2. Apply textures to the clay
  3. Roll the clay (thickness is dependent on type of clay being used) and cut for each element of the design
  4. Build the design
  5. Leave to air dry
  6. Kiln fire the design
  7. Soak in Picklean to remove fire scale
  8. Rinse with bicarb to neutralise Picklean
  9. Start to shine the fired clay with a wire brush
  10. Use an agate burnisher or polisher for bright shine
  11. Shine the piece with protective wax
  12. Mount stones
  13. The piece is ready to be worn

More about my work and my working process on my blog:

https://laurahelliott.wordpress.com

4) Which artist, living or deceased, is the greatest inspiration to you?

My first and most enduring love is the work of master artist Picasso and his cubist artworks, exploring colour, perspective and the transition of three-dimensional objects into a two-dimensional framework.

In addition, I have visited countless exhibitions and have explored a large range of mediums both practically and through academic reading. The artist that I deeply admire is David Hockney, who I think of almost like a kindred spirit to me. His exploration of perspective in both photography and painting are fascinating and reminds me of the cubist movement in many ways. The way Hockney flips perspective strikes a cord with me as that is something I like to play with in my paintings, along side the inspiration of the abstract expressionist movement.

5) If you weren’t an artist, what would you do?

I worked professionally in the nursing field from the age of 18 until I was 23. I adored the interaction with people, the challenges it brought and helping other people. Saying this, I was artistic as a young child, so the love and imagination has been there my whole life.

6) What do you listen to for inspiration?

It was when I moved into my late teens and early 20s, I found my paintings where inspired by music. I am a lover of heavy metal, filled with energy and feeling; however, I enjoy listening to all types of music now I am older.

7) Which 3 artists would you collect work by if money was no object?

  1. Picasso – Sculptures
  2. Clyfford Still
  3. Jenny Saville

8) If your dream museum or collection owner came calling, which would it be?

Louvre Museum, Paris, France

9) What is your key piece of advice for artists embarking on a fine art or creative degree today?

Use the summer breaks to create more artworks and read, especially the summer break between the 2nd and 3rd year. That break enables you to start your dissertation and be ahead for the start of the 3rd year. The 3rd year is so busy you need all the time you can get and it will significantly reduce your stress and work load.

10) What is your favourite book of all time (fiction or non fiction)?

I do not have an all time favourite book; however, I am a lover of reading and learning about life stories of people from all backgrounds, around the world.

11) If you could hang or place your artwork in one non traditional art setting, where would that be?

The non-traditional setting would be a Gothic church architecture, because of the contradiction having modern with Gothic.

12) What was the biggest lesson your university course or time studying taught you?

I was diagnosed in 2003 with Dyspraxia and Dyslexia, which was life changing. These learning difficulties of Dyspraxia and Dyslexia had profoundly impacted on my academic standard and life. I started university with low grades, but as time passed I worked really hard by always attending learning support tuition and reading as much as I could get my hands on. I truly believe that academic study is as important as the practical practice of art. The academic perspective on your course allows you to take a quality skill set into the art world, especially regarding working with spoken language, galleries and paperwork linked to this. I know that through my academic studies my quality of spoken language and organisational skills has significantly improved.

I always say that everyone should use the library as it is full of inspiration, knowledge and facilities to develop your education. Use the library staff and tap into journals as a quick way to understand a subject, especially as they are a few pages maximum. In addition, make the most of resources such as learning support to improve your written work and your support work during modules you study.

Mainly….enjoy your course!

With my best wishes.

13) And finally, if we were to fast forward 10 years, where would we find you?

I would still be working with Degree Art Gallery and continue to exhibit in new UK galleries and locations. I am working on a new body of work and high quality limited edition prints.

I would like to have achieved membership to ‘The Society of Women Artists’.


All artworks & designs displayed are © Copyright by Laura H Elliott BA (Hons), Dip.

Buy my work online @ http://www.lhe-art.co.uk

Facebook https://www.facebook.com/laurahelliottart

Twitter @laurahelliott

Pintrest https://www.pinterest.com/lauraelliottart/

Linked In https://uk.linkedin.com/pub/laura-elliott-ba-hons/6b/959/533

#art #britishlandscapes #britain #landscapes #buybritish #laurahelliottart #laurahelliott #lhe #painting #metalclay #gemstones #artgallery #gallery #flux #fluxexhibition #degreeart #degreeartgallery #painting #artlover #artist #artwork #artcollector #contemporaryart #originalart #ownart #rca #contemporaryart #originalart #commissionart #buyart #buyartonline

• Out With The Old, In With The New

Out With The Old, In With The New

Over time, every artist has stock and it can be frustrating that paintings can sit and take up valuable space. We all know artists always have alot of canvases, clay, tools, brushes and I count myself as one of them!

I was reviewing my work, from past and present and found stored canvases. I decided to take the following saying literally:

“Out With the Old, In with the new”

Masters, past and present, have often be known to roll their paintings for them to be stored and then later framed or re-mounted onto canvas stretchers.

I have done exactly that. Clear out the old and welcome in my new work. I have stacked up each painting (as below) and they have been rolled for storage and possible later to be exhibited, framed and/or sold.

Once the canvas has been un-mounted or freed from, you are left with lots of staples and the stretcher bars.

The frame of the canvas are created mainly from wood and are nearly the same design that has been used for decades. Even Van Gough used such stretcher bars. Here are examples of what joined stretcher bars look like up-close:

Once the bars have been carefully seperated, taking care to not damage the joints, they can then be bundled together for storage.

Above: Stretcher Bars Bundled From Pre-Stretched Old Canvases

This means I have beautiful wooden frames to use for new paintings. They can have any manner of canvas or material streched on them. You can buy raw canvas which are undyed and hold a special pattern within the weave. I have personally sourced the following. You can also dye the canvas for you to achieve the colour.

I am aiming to dye the raw natural linen material using powdered flourescent colour pigment powders, similar to Brusho pigment powders.

We will see what the future holds and what transpires in my journey to…..

“Out With the Old, In With the New”

So…what is next???? See my new wave below…


All artworks & designs displayed are © Copyright by Laura H Elliott BA (Hons), Dip.

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