Tag Archive | rca

• Commission a painting by Laura H Elliott from the ‘Landscape Moods Collection’

Commissions Are Always Welcomed

I am always delighted to create commissions, as I see each piece as a collaboration, which creates a personalised and truly unique final painting.

How do I place a commission order?

I am represented by a highly experienced gallery, called Degree Art, London, UK

My gallery link is below: https://degreeart.com/artists/laura-h-elliott

Their team can coordinate with you and we can begin the commission process:

Please contact Isobel Beauchamp (Director of Degree Art) on Isobel@DegreeArt.com or call one of their Art Advisors on 020 8980 0395.

Tell her my name, Laura H Elliott and the artwork that inspires you. The Degree Art team can then explore ideas such as: size, any of my art you love, colour scheme of your home or project and then the commission process starts.

What can I expect?

All my artworks are available for commission with Degree Art Gallery, who represent my work as a professional artist and have extensive experience.

I have been selling my work since 2006 and every artwork is of the highest standard. I have never had a return and every artwork is painted on a high quality canvases by either Loxley or Winsor Newton.

Every artwork is hand signed with my initials LHE, as below:

Inspiration from the collection, so far:

Shown below is a slide show for inspiration from my portfolio of paintings in the ‘Landscape Moods Collection’:

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Are there different paint effects?

Yes, every painting contains a unique combination of effects, with each effect adding a dimension to the final painting. Should you like any effects, they can be added to your commission:

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Feedback From Commission:

Type: Painting Commission

Location: New York, USA

“I recently purchased a beautiful piece of art from Laura Elliott. Not only was the piece exactly what I wanted, but Laura handled the whole transaction very flawlessly. I was looking around for something colourful and luckily stumbled upon this website. I saw something I loved but when inquired about purchasing it, Laura told me it was already sold. That certainly didn’t stop the search and Laura quickly responded saying she could paint one like that if I was interested and I could even choose the colours.

The next few interactions with Laura involved choosing colours and getting a proof of the painting before I had to commit. Paying was very simple through Pay Pal and we managed to come to a financial arrangement that fitted my budget. The painting was couriered as soon as my payment had gone through and it arrived within a few days. The whole transaction was dealt with very professionally and was very simple. Laura is an enthusiastic and energetic artist who has a passion for what she does. I could feel this through the friendly and personal e-mails we exchanged while she was painting my special piece.

Thank you Laura.”


See more about my work at:

I am represented by a highly experienced gallery, called Degree Art, London, UK

My artwork gallery link is below:

https://degreeart.com/artists/laura-elliott

To read more customer feedback:

https://laurahelliott.wordpress.com/customer-feedback/

Contacting Laura H Elliott BA (Hons)


Fill Out the Contact Form Below to Inquire About Any Of the Pieces Above:



All artworks & designs displayed are © Copyright by Laura H Elliott BA (Hons), Dip.

Buy my work online @ http://www.lhe-art.co.uk

Facebook https://www.facebook.com/laurahelliottart

Twitter @laurahelliott

Pintrest https://www.pinterest.com/lauraelliottart/

Linked In https://uk.linkedin.com/pub/laura-elliott-ba-hons/6b/959/533

#art #britishlandscapes #britain #landscapes #buybritish #laurahelliottart #laurahelliott #lhe #painting #metalclay #gemstones #artgallery #gallery #flux #fluxexhibition #degreeart #degreeartgallery #painting #artlover #artist #artwork #artcollector #contemporaryart #originalart #ownart #rca #contemporaryart #originalart #commissionart #buyart #buyartonline

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Artwork Focus: Trying To Find My Artist Voice, Having My Artwork Put In The Skip & How I Was Inspired By Picasso

It is always hard to start your journey as an artist, with my journey starting in 1992. It has taken me around the world and I have exhibited at some stunning galleries, with an amazing collection of working artists and selling through my representative galleries.

Saying this, you always have to start somewhere and you ask yourself…

What do you create? Which medium do you chose? What subject do you paint? Where do you start in creating work?

I wanted to share my story below, to offer insight into my own artist journey, with the help to inspire…

Though, at first, my journey was a bit haphazard in creating original art, I eventually found my feet and it came to me naturally, drawing on my life long, never ending imagination. Saying this, it was in around 1991 when I first found the 2 mediums I love to this day…

…clay and acrylic paint

Artists past and present have a crucial influence in every artists journey. My life-time adoration of Picasso began in 1992 through books and gallery visits. By drawing inspiration from Picasso’s work, it meant that I explored many ways to create my artworks for my A Level Art and Design in 1995. I found cubism fascinating (specifically Picasso’s) and the definition below explains it in detail:

When I learned about Picasso I visited the Tate Modern and saw one of his sculpture portraits or busts and I was energized:

Pablo Picasso ‘Head of a Woman (Fernande)’ (1909) At: The Tate Modern, London

I knew my next step!! I began to create a sculpture created with:

  • A wooden base
  • Chicken wire forming the main shape
  • Plaster of Paris bandages
  • Card to create hair round the face and to form the pony tail at the back
  • Acrylic paint to create form, depth and to emulate how Picasso creates a 3D effect on a 2D canvas

I tested out all manner of ideas: drawings, paintings and then I realized that there was a way forward…sculpture. For one of my course work pieces, I wanted to explore and create my own unique sculpture, which reversed how Picasso created a 3D effect on a 2D canvas.

The sculpture shown below shows my unfinished sculpture, with my apologies for the poor quality photographs!:

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Above: Left = face / Right = right hand side of head with hair in a bunch

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Above: Left = left hand side of the head / Right = reverse of head with the stripes swept into a pony tail

Despite my enjoyment and desire to create new ideas, my teacher disliked it so much, she told me to put it in the bin or more precisely the skip!!

I am sure you would understand it was quite heart breaking; however, before I threw it away I took photographs. This piece, shown below, is a reproduction of a self portrait: my hair brushed back into a pony tail with wisps of hair surrounding my face.

Once the piece started to take shape and I felt obliged to stop this artwork and begin another. It was in 1994 that I began to explore the ideas of playing with mediums, like I mentioned above; however, this was strongly discouraged by my teachers!!

The good news is that their influenced stopped in 1995, when I began to do what *I* wanted to do and I started to build a portrait sculpture.

I continued with this new drive and confidence, by creating what *I* wanted to do and in 1995 I created a slotted card sculpture (shown below), painted with abstract designs with acrylic paint:

Despite this confidence, some pieces I was directed to create in a certain style and medium, so some works I compromised and created something more traditional. I managed to keep some of my independence by incorporated structural support in 1 of my 3 my final exhibition artworks:

https://laurahelliott.wordpress.com/2017/01/01/exhibition-review-my-first-group-exhibition/

Below is an example of Picasso’s amazing work that also inspired me:

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All artworks & designs displayed are © Copyright by artist Laura H Elliott BA (Hons), Dip.

Quick Link @ http://www.lhe-art.co.uk

Blog Web: https://laurahelliott.wordpress.com

Facebook https://www.facebook.com/laurahelliottart

Twitter @laurahelliott

Pintrest https://www.pinterest.com/lauraelliottart/

Linked In https://uk.linkedin.com/pub/laura-elliott-ba-hons/6b/959/533

• My Guide: Learning From Masters, Picasso to Pollock to Dali 

My Guide: Learning From Masters, Picasso to Pollock to Dali

Remember © Copyright – These Are Not For Sale!!

Just Inspiration and Learning!!

ALL of my studies are now in my loft, safe and sound! They are only for me to mentally reference and to draw inspiration from, as I have explored the vastly different techniques each artists used to create every stunning artwork. I loved every piece I re-created; however, I have not re-created any artists work since 1994-1995.


Why Re-Create Masters Work?

Simply put, to learn from their expert hand and varying techniques in art. There are endless guides and techniques on how masters created artworks, this shows how much you can learn from a simple collage or drawing or study or painting. I found it a really enlightening experience to truly learn how an artist created their work. I found that t

They are a challenge to reproduce, but that is why they teaches you so much. I think master studies are worth every minute. When I re-created Picasso’s cubist work, the complex gradients of colour and shade are a lesson for perspective within painting:

In addition, when you map out the cubist artwork you learn about proportion and dimension. I think this is a way round not having to learn perspective by drawing buildings, especially as I personally dislike drawing architecture.


What Do You Mean By “Master Studies”?

During my formative years navigating the arts, I found that the way I learn how, was by doing or creating.It was aged 17, that I was set a task to create a visual and written visual essay about a master that you wished to focused on as a study, for my A Level Art and Design course… this was when I found the idea of “Master Studies”.

My A Level Art and Design

The general gist was to write about a focal style in an artists work, with visuals to support. Most of these essays ended with a simple combination of written text and postcards or printed images of their chosen artists work. I decided to challenge myself to learn even more, so I began painting the works onto canvas boards or by re-creating the sculpture to sit along-side my own original work.

I felt that this theory applied to the all artists who inspired each painting I created for the course and the subsequent final exhibition of the course in 1995:


What Masters Did you Explore?

I studied a select few during my A Level Art and Design during 1994-1996, I studied the masters:

  • Pablo Picasso
  • Claude Monet
  • Edgar Degas
  • Salvador Dali

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BELOW SHOWS THE ORIGINAL ALONG-SIDE MY MASTER STUDIES:

——————————–

Pablo Picasso:

Below: My master study of a Pablo Picasso painting (1909-10) ‘Figure dans un Fauteuil (Seated Nude, Femme nue assise)’, Displayed at: Tate Modern, London

Left: My Master Study | Right: Original By Picasso

Below: My master of a Picasso artwork ‘Guitar’ (1913) At: The Museum of Modern Art, New York
Left: My Master Study | Right: Original By Picasso

Below: My master of a Picasso artwork ‘Siphon, Glass, Newspaper, and Violin‘ (1912) At: The Moderna Museet, Stockholm

Left: My Master Study | Right: Original By Picasso

——————————–

Salvador Dali:

Below: My master of a Dali painting ‘Gala and The Angelus of Millet Before the Imminent Arrival of the Conical Anamorphoses’ (1933) the original is displayed at: National Gallery of Canada, Ottawa

Left: My Master Study | Right: Original By Dali

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Edgar Degas:

I took this literally and I began to draw masters works, with a Degas Conte Pastel drawing (shown below) titled ‘Girl drying her feet after bathing’ by Degas:

Left: My Master Study | Right: Original By Degas

Above: Master Study ‘Girl drying her feet after bathing’ by Degas


What Modern Masters Do You Admire?

It was during my A Level that I was lucky to meet and spend a whole day interviewing and exploring the studio of Royal Academian Anthony Green. He was fascinating and charming and it was a day I will never forget. The painting below is by the amazing artist whom I had the privilege of interviewing in 1995, Anthony Green RA:

Since then, I have continued to learn about artists work past and present through academic routes, including my Art and Media Batchelor of Arts with Honours. I also cannot express how important it is to visit exhibitions at large museums and galleries, such as the Tate Modern, London and so on.

One artist I adore is the mixed media creator, David Hockney. I think of him as almost like a kindred spirit to me, with his exploration of perspective in both photography and painting. The way he flips perspective strikes a cord with me as that is something I like to explore in my paintings.

David Hockney:

Above: Created by © David Hockney

Maggie Hamblin:


What past master do you recommend as a starting point?

I think Vincent Van Gough is a great starting point and you are able to see his work at major museums around the world. He has a distinct technique and lends itself to high viscosity/ 3D paints or oil paints and a really appealing subject matter and colour scheme. In addition, his work is familiar with most people and this makes him a perfect first choice.

The artwork below is ‘Sunflowers’ by Vincent Van Gough:


Who are your favourite artists and why?

My first and most enduring love is Picasso and his cubist artworks, exploring colour, perspective and the transition of three-dimensional objects into a two-dimensional framework. I believe art that resonates and moves me on a personal level has the most long lasting influence on my work.

The deepest reaction I experienced was around 1996, when I visited the Tate Modern. I walked into this high ceiling room and was faced with an enormous series of paintings by Mark Rothko. The works and atmosphere had a profound impact and I needed to sit down. After a short time, I read the information on the artworks and the pieces were painted during a dark emotional period in Rothko’s life. Certainly, this was what caused be to feel emotional, it was like the artworks and colours swallowed me into his life. I can understand his need to express himself in this manner, something I have in common with artists such as Rothko.

Every exhibition I have visited has driven my work and have explored a large range of mediums both practically and from academic reading. I have enjoyed viewing Cypriot English artist Tracey Emin’s work, feeling that her freedom of her self and her personal experiences in life move me, as she is such an open book.

In addition, contemporary British painter Jenny Saville and American photographer Nan Goldin, but the artist I feel I relate to and am directly inspired by is the British contemporary artist Maggi Hambling due to her passion for expression of her life and visual diary. Maggi’s work is expressive, fascinating and her passion for the arts and other artists work is something I admire and hope to emulate.

Other artists I would recommend are:

Picasso, Monet, Degas, Dali and Jackson Pollock


How Do I Move Beyond The Masters?

This is hard to answer, but I think you need to consider what art inspires you, what medium you enjoy and what makes you happy. I have written a blog about a simple project idea below:

https://laurahelliott.wordpress.com/2016/09/07/%e2%80%a2-%e2%80%8bartist-project-1-abstract-expressionist-landscape/?preview=true

I have a few pictures below of an original design created by me of a three-dimensional sculpture of a Jesus Lizard, inspired by Picasso and made out of painted, slotted card:

Sculpture Trail 3D Lizard by Laura H Elliott BA (Hons) 1994

Sculpture Exhibition, Wokingham 1995: This sculpture is based on a ‘Jesus Lizard’ and inspired by my ‘muse’ who is Picasso. This piece was made in a jigsaw type of design. Each piece or facet was a piece of cardboard, hand painted and slotted together to make the lizard in this picture. I loved this project and it was very ‘out of the box’ for the project.


All artworks & designs displayed are © Copyright by artist Laura H Elliott BA (Hons), Dip or the artists stated.

Quick Link @ http://www.lhe-art.co.uk

Blog Web: https://laurahelliott.wordpress.com

Facebook https://www.facebook.com/laurahelliottart

Twitter @laurahelliott

Pintrest https://www.pinterest.com/lauraelliottart/

Linked In https://uk.linkedin.com/pub/laura-elliott-ba-hons/6b/959/533

• My Guide: An Introduction To Metal Clay

My Guide: An Introduction To Metal Clay


What is metal clay?

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Metal clay is an exciting art medium consisting of very small particles of metal such as silver, gold, bronze or copper which is mixed with an organic binder and water for use in making jewelry, beads and small sculptures. Originating in Japan in 1990, metal clay can be shaped just like any soft clay, by hand or using molds. After drying, the clay can be fired in a variety of ways such as in a kiln, with a handheld gas torch, or on a gas stove, depending on the type of clay and the metal within it. The binder burns away, leaving a pure sintered or solid piece of metal.

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Above: ‘Spring Blossom’ feat Red Garnet, Amethyst, Citrine, Blue Apatite and White Topaz

The piece below is pre-firing Prometheus copper metal clay:

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Above: Pre-fired piece from the ‘Landscape Gems Collection’

The following image shows post-fired Prometheus copper metal clay which has sintered into solid copper. A sheet of solid copper in the middle as a comparison:

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Above: Prometheus Copper Metal Clay after firing. In the center is a solid sheet of copper as a comparison.

What work do you create from that medium?

LE004-ShootingStar

Above: ‘Wish Upon a Star’ feat Tanzanite, Fine 999 Silver Metal Clay & 9ct Gold Plated 925 Sterling Silver
Due to my life-long passion of clay and sculpture, I expanded my work in 2012 to use the exciting medium of silver, copper and bronze metal clay, in concert with my ‘Landscape Moods’ series of paintings. Metal clay allows me to sculpt work in a free form and expressive manner, allowing me to create a wide range of sculptural metal jewellery and this has been titled the ‘Landscape Gems’ series.

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Above: ‘A Stitch in Time, Saves Nine’

My metal clay work has enabled me to indulge my love of sparkle and genuine precious and semi-precious gemstones in both faceted and bead form. I personally source all the gemstones I use, which include: Diamonds sourced via the ‘Kimberley Process’ (faceted and rough), Ruby, Garnet, Emerald (Brazilian and Colombian) and my personal favorite gemstone which is Paraiba Tourmaline (from Mozambique).

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I have called this series of jewellery the ‘Landscape Gems ‘ series which is sculptural and organic which are designed with a range of media, including: high quality 100% genuine gemstones, gemstone granules, gleams, mica powder, solid silver, enamel and recycled elements such as vintage watch parts. I additionally incorporate media such as metal sheets, gemstone settings, wire, beading thread, metal findings, charms and polymer clay. Each of these mediums provides me the opportunity to further develop and enhance the beauty in each piece of jewellery in this series. By combining all these elements it, therefore, enhances the unique fingerprint of Mother Nature found within all genuine gemstones featured.

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My artwork and jewellery both explore colour and form and I feel that one informs the other. Metal clay is such an exciting progression and this medium allows me to further explore my distinct signature painting style within a three-dimensional framework.


All artworks & designs displayed are by © Copyright Laura H Elliott BA (Hons), Dip.

View my professional gallery of works at: http://www.lhe-art.co.uk

Facebook https://www.facebook.com/laurahelliottart

Twitter @laurahelliott

Pintrest https://www.pinterest.com/lauraelliottart/

Linked In https://uk.linkedin.com/pub/laura-elliott-ba-hons/6b/959/533

• Art = Solice = Disability = Art = Freedom

Disability is unique to everyone. This is no more so than with me.

Above: ‘Scorched Landscape’

I have always been hesitant to speak about my disability, the reasons for this is complex and hard to explain. I hope to start a dialogue in this blog and to open this part of my life to move forward.

I do not want my disability to be my sole-focus or my complete identity in life, but it is such a large part of my life, it has significantly impacted my art. 

My wish to share this part of my life, as it adds a new dimension of understanding in my work as an artist.

My art has always been an open representation of my inner self and it has reflected into the choice of colour, style and subject matter in all of my work, including the ‘Landscape Moods Collection’ mixed media paintings, started in 2002. I have created work from my heart from the age of 17, which has presented my life in my art, in every medium I have explored and studied.

My emotions are the are a pivotal catalyst which drives my work.

Above: ‘Landscape Tones II’

An organisation called ‘Disability Arts International’ (coordinated by the British Council) has made me stop and think…

…why not speak about this?!?!

About ‘Disability Arts International’:

“‘Disability Arts International’ aims to promote the work of the exciting generation of excellent disabled artists, disabled-led companies and inclusive arts organisations. It also aims to share the ways arts organisations are increasing access to the arts for disabled people as audiences and visitors.”

Find out more at:

http://www.disabilityartsinternational.org/about-us/

This organisation work to open doors, create opportunities for disabled artists and educate or inform galleries, organisations and studios. I truly feel it will add a new dimension of understanding my work as an artist.

A Bit About Me:

I was diagnosed with severe Rheumatoid Arthritis (RA) in 2009, but this degenerative, destructive, auto-immune disease has been with me since my teenage years. The constant pain, lack of mobility, irritating medications and challenges it gives me are intensely frustrating. Though I have other health conditions, it is the RA that deeply affects every part of my life.

Saying this, it is what you do with pain that matters. My late father said “I do as much as I can, when I can” and it is a saying I try to lead my life by. It also makes for interesting art, which allows me a way to vent good and bad into each piece in painting and clay.

Above: ‘Purple Punk’d Velvet’ on exhibition

Every aspect of my disability changes my art journey: the way you feel emotionally, how your disability transforms your life, how you are forced to adapt your every day life, how the struggle means you cannot create freely….

As I said, disability is a subject in my life and is close to my heart

I have struggled for decades with health issues. I do not speak of it often, but why not?

I will be addressing this part of my life in an interview with a difference… called the “The Heroine’s Journey”

I am definitely no heroine, but my life has been quite a complex roller-coaster-ride and definitely fits the word of a journey.

Above: Me aged 18 at my ‘A Level Art and Design’ final exhibition

I did not realise the fine nuances of disability, until my RA flared up and has stayed active since 2008, but it is not filled with just negatives and there are many positives I try to focus on.

This is a subject close to my heart, as I have struggled for decades with physical and mental health issues. I do not speak of it often in a public forum; however, my wish to share this part of my life adds a new dimension of understanding in my work as an artist.

Above: ‘Pink Punk’d Panther’

My art has always been an open representation of my inner self and it has reflected into the choice of colour, style and subject matter in my ‘Landscape Moods Collection’ mixed media paintings, started in 2002. The effects of my health added depth, meaning and passion to my work and is like an endless pile of ideas.

The artwork above was created in 1995, listening to the soundtrack of the film ‘Natural Born Killers’

I have created work (as shown above) from my heart from the age of 17, which has embodied my life within my art, in every medium I have explored and studied. It is since I was a teenager that music was a driving force in my work, by pulling out emotions from the melody and meaning.

Above: ‘Torn’ – Sold

The art I have created since 2002 is a series of mixed media paintings, called the ‘Landscape Moods Collection’, in which my emotions play a pivotal role for each painting. Despite the fact I have drawn on my feelings since I was a teenager, it is my daily experiences that drive this body of work. This series of mixed media paintings first created in 2002, called the ‘Landscape Moods Collection’.

Why did you put the word ‘Moods’ this collection the title of ‘Landscape Moods’?

The title of this collection took me some time to consider, debate and decide upon. The title needed to be self-explanatory, clear and short. I never wanted the title to be an essay, just two words and I chose the two words that epitomises my mixed media painting collection:

‘landscape’ & ‘moods’

The title can be broken down into two concepts. The first was the subject matter, which is ‘landscapes’, and the second is the motivation or inspiration of my work, which is the word ‘moods’. My work is filled with complex meanings; however, I wanted to express who I am, my core personality or an emotion that I was battling with or celebrating.

The painting below is titled ‘Angry Skies’ and it was painted “en plein air” or outside, under cover during a hail storm, here in the UK. The rain and hail symbolised that time of my life in 2007 and these feeling poured into the painting below. 

Above: ‘Angry Skies’ (2007) Sold with London Art

My art has always been an open representation of my inner self and it has reflected into the choice of colour, style and subject matter in my ‘Landscape Moods Collection’ mixed media paintings, started in 2002.

I drew the artwork during my ‘Art and Media BA (Hons)’ 1st year which I titled ‘Facets of Self’. It was a drawing from a series which where to explore 3 words:

  1. Self Portrait
  2. Facets of Self
  3. History

I created the drawing below during my Art and Media BA (Hons), which broke down my facets of self or pieces of who I am into 3, which can be seen as positive or negative:

Focus, laughter and emotion

Above: ‘Facets of Self’


Read more About Me In Artists Interview

Laura H Elliott BA (Hons)


March 2016

The Palette Pages Laura H Elliott Artist Interview by Lisa Gray

< Click Here For Interview >

Laura Elliott Artist Interview ~ The Palette Pages

Laura Elliott Artist Interview

The Palette Pages by Lisa Gray ~ Flux Exhibition


February 2016:

Iris Art Magazine ‘Signature Style’ written by Kahlid Rhaman

“Laura’s Artist Journey is Like a Rollercoaster Ride”

< Click Here For Interview >

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Laura Elliott Artist Interview with Iris Art Magazine: ‘Laura Elliott’s art journey is a roller coaster ride’



All artworks & designs displayed are © Copyright by Laura H Elliott BA (Hons), Dip.

Buy my work online @ http://www.lhe-art.co.uk

 Facebook https://www.facebook.com/laurahelliottart

Twitter @laurahelliott

Pintrest https://www.pinterest.com/lauraelliottart/

Linked In https://uk.linkedin.com/pub/laura-elliott-ba-hons/6b/959/533

#art #britishlandscapes #britain #landscapes #buybritish #laurahelliottart #laurahelliott #lhe #painting #metalclay #gemstones #artgallery #gallery #flux #fluxexhibition #degreeart #degreeartgallery #painting #artlover #artist #artwork #artcollector #contemporaryart #originalart #ownart #rca #contemporaryart #originalart #commissionart #buyart #buyartonline

• Exhibition Focus: The Link Gallery ‘International Women’s Day’ ~ 7th-28th March 2017

The Link Gallery is hosting a collaborative exhibition celebrating, inspired by and reflecting on International Women’s Day 2016.

This exhibition will run 7th – 28th March 2017 and is open to the public free of charge.

About my featured artworks: 

Artwork One: ‘Shedding Punk’d Viper'(below)

“Shedding Punk’d Viper is a play on the combination of punk art and abstraction. This painting injects a soft, feminine touch into a hard, undefined and often aggressive area such as punk art. Each sweep of fluorescent and bright colours further develops punk and abstraction into a women’s realm.”

Artwork Two: ‘Spotty Punk’d Panther’ (below)

“‘Spotty Punk’d Panther’ is a true counterpoint to the painting exhibited along side ‘Shedding Punk’d Viper’. This painting features a soft, yet abstract, bouquet of pink, aqua blue and purples coupled with sand, gloss and metallic effects. This painting injects a truely feminine side into a hard, undefined and often aggressive area such as punk art.”

Biography:

“It is from a life-time of creativity which culminated in Laura’s achievement of an Art and Media Bachelor of Arts with Honors in 2008. This multi disciplined degree expanded both her practical skill set and academic thought processes. Each painting in this series, started in 2002, has been driven forward by further exploring abstract expressionism, with a feminine touch. These artworks are continually influenced by her thought processes, emotions and mood at the time of creation. This free expression enables Laura to explore such techniques from a female perspective.”

About the Link Gallery:


“Since its opening in 2001 the Link Gallery has held a continual programme of exhibitions by a wide variety of established and emerging local and regional artists, including solo and group shows, community projects and annual exhibitions. Admittance is free of charge and the gallery is open to the public all year round.

The Link Gallery is in the West Downs Center, in a space that was created as a result of the transformation of the West Downs Preparatory School into the West Downs Performing Arts and Conference Center, which was opened by Lord Putnam in 2001. With the recent development of a purpose-built Arts Center on the King Alfred Campus, West Downs has now become home to the University of Winchesters Business School.”


Website: 

http://www.winchester.ac.uk/aboutus/ArtatWinchester/TheLinkGallery/Pages/TheLinkGallery.aspx


All artworks & designs displayed are © Copyright by Laura H Elliott BA (Hons), Dip.

Buy my work online @ http://www.lhe-art.co.uk

 Facebook: https://www.facebook.com/laurahelliottart

Twitter @laurahelliott

Pintrest https://www.pinterest.com/lauraelliottart/

Linked In https://uk.linkedin.com/pub/laura-elliott-ba-hons/6b/959/533

#art #britishlandscapes #britain #landscapes #buybritish #laurahelliottart #laurahelliott #lhe #painting #metalclay #gemstones #artgallery #gallery #flux #fluxexhibition #degreeart #degreeartgallery #painting #artlover #artist #artwork #artcollector #contemporaryart #originalart #ownart #rca #contemporaryart #originalart #commissionart #buyart #buyartonline

•  Artwork Focus: Interpreting Natural Form Into Clay Sculptures

Interpreting Natural Form Into Clay Sculptures

It was during 2002-2003 that I studied my Access Art and Design Diploma and this was when I began to explore the term ‘Natural Form’. I developed this concept through the diploma and explored a great deal of mediums, including:

drawing, photography, ceramics, textiles, lino printing, etching,silk screen, painting

It was from this starting point that my collection of mixed media paintings ‘Landscape Moods’ began, from which I have never looked back.

I wanted to share some of my work in the medium of ceramics and how the exploration of different types of construction or techniques on creating each piece looked when finished.

The starting point of Litchen and Bark which was the starting point for this self-directed project in 2003, which is shown below:

Litchen and Bark:

Ceramic Design 1: Set of 3 Carved Vases

Ceramic Design 2: Coil Built Pot

Ceramic Design 3: Abstraction Domes and Balls

 


All artworks & designs displayed are © Copyright by Laura H Elliott BA (Hons), Dip.

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